Saturday, 1 August 2015
Richard Garfield was a doctoral candidate at University of Pennsylvania when he first started to design the game. During his free time he worked with local volunteer playtesters to help refine the game. He had been brought on as an adjunct professor at Whitman College in 1991 when Peter Adkison (then CEO of Wizards of the Coast games company) first met with Garfield to discuss Garfield's new game RoboRally. Adkison saw the game as very promising, but decided that Wizards of the Coast lacked the resources to produce it at that point. He did like Garfield's ideas and mentioned that he was looking for a portable game that could be played in the downtime that frequently occurs at gaming conventions. Garfield returned and presented the general outline of the concept of a trading card game. Adkison immediately saw the potential of this idea and agreed to produce it. Magic: The Gathering underwent a general release on August 5, 1993. While the game was simply called Magic through most of playtesting, when the game had to be officially named a lawyer informed them that Magic was too generic to be trademarked. Mana Clash was instead chosen to be the name used in the first solicitation of the game, however, everybody involved with the game continued to refer to it as Magic. After further consultation with the lawyer, it was decided to rename the game Magic: The Gathering, thus enabling the name to be trademarked. A patent was granted to Wizards of the Coast in 1997 for "a novel method of game play and game components that in one embodiment are in the form of trading cards" that includes claims covering games whose rules include many of Magic's elements in combination, including concepts such as changing orientation of a game component to indicate use (referred to in the Magic and Vampire: The Eternal Struggle rules as "tapping") and constructing a deck by selecting cards from a larger pool. The patent has aroused criticism from some observers, who believe some of its claims to be invalid. In 2003, the patent was an element of a larger legal dispute between Wizards of the Coast and Nintendo, regarding trade secrets related to Nintendo's Pokémon Trading Card Game. The legal action was settled out of court, and its terms were not disclosed. Magic was an immediate success for Wizards of the Coast. Early on they were even reluctant to advertise the game because they were unable to keep pace with existing demand. Initially Magic attracted many Dungeons & Dragons players, but the following included all types of other people as well. The success of the game quickly led to the creation of similar games by other companies as well as Wizards of the Coast themselves. Companion Games produced the Galactic Empires CCG (the first science fiction trading card game), which allowed players to pay for and design their own promotional cards, while TSR created the Spellfire game, which eventually included five editions in six languages, plus twelve expansion sets. Wizards of the Coast produced Jyhad (now called Vampire: The Eternal Struggle), a game about modern-day vampires. Other similar games included trading card games based on Star Trek and Star Wars. The success of the initial edition prompted a reissue later in 1993, along with expansions to the game. Arabian Nights was released as the first expansion in December 1993. New expansions and revisions of the base game ("Core Sets") have since been released on a regular basis, amounting to four releases a year. By the end of 1994, the game had printed over a billion cards. Until the release of Mirage in 1996 expansions were released on an irregular basis. Beginning in 2009 one revision of the core set and three expansions are released every year. While the essence of the game has always stayed the same, the rules of Magic have undergone three major revisions with the release of the Revised Edition in 1994, Classic Edition in 1999, and Magic 2010 in July 2009. With the release of the Eighth Edition in 2003, Magic also received a major visual redesign. In 1996, Wizards of the Coast established the "Pro Tour", a circuit of tournaments where players can compete for sizeable cash prizes over the course of a single weekend-long tournament. In 2009 the top prize at a single tournament was US$40,000. Sanctioned through the DCI, the tournaments added an element of prestige to the game by virtue of the cash payouts and media coverage from within the community. For a brief period of time, ESPN2 televised the tournaments. While unofficial methods of online play existed previously,[note 1] Magic Online ("MTGO" or "Modo"), an official online version of the game, was released in 2002. A new, updated version of Magic Online was released in April 2008. In January 2014, Hasbro announced a franchise film deal with 20th Century Fox for Magic: The Gathering, saying that they wanted "to launch a massive franchise on the scale of Harry Potter and The Lord of the Rings." Simon Kinberg is serving as writer and producer for the project. In June 2014, Fox hired screenwriter Bryan Cogman to write the script for the film. Reception Some consider the game to be very addictive, and refer to the game as "cardboard crack". Some players have spent large amounts of money acquiring cards. A 2004 article in USA Today suggested that playing Magic might help improve the social and mental skills of some of the players. The article interviewed players' parents who believe that the game, similar to sports, teaches children how to more gracefully win and lose. Magic also contains a great amount of strategy and vocabulary that children may not be exposed to on a regular basis. Parents also claimed that playing Magic helped keep their children out of trouble, such as using illegal drugs or joining criminal gangs. In addition, until 2007, some of the better players had opportunities to compete for a small number of scholarships. Jordan Weisman, an American game designer and entrepreneur, commented, "I love games that challenge and change our definition of adventure gaming, and Magic: The Gathering is definitely one of a very short list of titles that has accomplished that elusive goal. By combining the collecting and trading elements of baseball cards with the fantasy play dynamics of roleplaying games, Magic created a whole new genre of product that changed our industry forever." Awards 1994: Mensa Select Award winner 1994: Origins Awards for Best Fantasy or Science Fiction Board game of 1993 and Best Graphic Presentation of a Board game of 1993 1994: Origins Award for the Legends expansion as Best Game Accessory 1995: Deutscher Spiele Preis special award for new game mechanics 1995: Italian Gaming Society Gioco dell'Anno award winner 1996: Super As d'Or award for "Best New Game Concept and Genre Introduced in France" 1997: InQuest Fan Award for Best CCG Expansion for the Weatherlight expansion 1998: Origins Award for the Urza's Saga expansion as Collectible Card Game Expansion of the Year 1999: Inducted alongside Richard Garfield into the Origins Hall of Fame 2003: Games Magazine selected Magic for its Games Hall of Fame 2005: Origins Award for the Ravnica: City of Guilds expansion as Collectible Card Game Expansion of the Year 2009: Origins Award for the Shards of Alara expansion as Collectible Card Game Expansion of the Year 2012: Origins Award for the Innistrad expansion as Collectible Card Game Expansion of the Year In addition several individuals including Richard Garfield and Donato Giancola won personal awards for their contributions to Magic. Gameplay Main article: Magic: The Gathering rules In a game of Magic, two or more players are engaged in a battle as powerful wizards called "planeswalkers". A player starts the game with twenty "life points" and loses when he or she is reduced to zero. Players lose life when they are dealt "damage" by being attacked with summoned creatures or when spells or other cards cause them to lose life directly. A player can also lose if he or she must draw from an empty deck (called the "library" during the game). In addition, some cards specify other ways to win or lose the game. Some cards have effects that override normal game rules. Garfield has stated that two major influences in his creation of Magic: the Gathering were the games Cosmic Encounter, which first used the concept that normal rules could sometimes be overridden, and Dungeons & Dragons. The "Golden Rules of Magic" state that "Whenever a card's text directly contradicts the rules, the card takes precedence." This allows Wizards of the Coast great flexibility in creating cards, but can cause problems when attempting to reconcile a card with the rules (or two cards with each other). The Comprehensive Rules, a detailed rulebook, exists to clarify these conflicts. File:MtG Game Set Up.webmhd.webm The basic set up for a single player in a game of Magic the Gathering. Players begin the game by shuffling their decks and then drawing seven cards. Players draw one card at the beginning of each of their turns, except the first player on their first turn. Players alternate turns consisting of several phases. Most cards can only be played during the main phase of the player's own turn. The player whose turn it is always has the first chance to play cards. At the end of a player's turn, if that player has more than seven cards in hand, the player discards until their hand contains seven cards. The contents of other players' decks and hands are not usually known to players. The two basic kinds of cards in Magic are "spells" and "lands". Lands provide "mana", or magical energy, which is used as magical fuel when the player attempts to cast spells. Players may only play one land per turn. More powerful spells cost more mana, so as the game progresses more mana becomes available, and the quantity and relative power of the spells played tends to increase. Some spells also require the payment of additional resources, such as cards in play or life points. Spells come in several varieties: "sorceries" and "instants" have a single, one-time effect before they go to the "graveyard" (discard pile); "enchantments" and "artifacts" are "permanents" that remain in play after being cast to provide a lasting magical effect; "creature" spells (also a type of permanent) summon creatures that can attack and damage an opponent. The set Lorwyn introduced the new "planeswalker" card type, which represent powerful allies who fight with their own magic abilities depending on their loyalty to the player who summoned them. Spells can be of more than one type. Deck construction See also: Magic: The Gathering deck types Each player needs a deck to play a game of Magic. In most tournament formats, decks are required to be a minimum of sixty cards, with no upper limit. Players may use no more than four copies of any named card, with the exception of "basic lands", which act as a standard resource in Magic, and some specific cards that state otherwise. Certain gameplay formats such as Commander may limit the number of iterations of a single card players may have in their decks. In "limited" tournament formats, where a small number of cards are opened for play from booster packs or tournament packs, a minimum deck size of forty cards is used. Depending on the type of play, some individual cards have been "restricted" (the card is limited to a single copy per deck) or "banned" (the card is no longer legal for tournament play). These limitations are usually for balance of power reasons, but have been occasionally made because of gameplay mechanics. Deck building requires a lot of strategy as players must choose among thousands of cards which they want to play. This requires players to evaluate the power of their cards, as well as the possible synergies between them, and their possible interactions with the cards they expect to play against (this "metagame" can vary in different locations or time periods). The choice of cards is usually narrowed by the player deciding which colors they want to include in the deck. This decision is a key part of creating a deck. In general, reducing the number of colors used increases the consistency of play and the probability of drawing the lands needed to cast one's spells, at the expense of restricting the range of tactics available to the player. Psychographic profiles Despite all the different cards and ways to put decks together based on those, players can be divided into three "psychographic profiles", or reasons and methods of playing, with blends being quite common. Mark Rosewater originally came up with these as a way of defining the personalities of players. Timmy/Tammy: Timmy/Tammy is the player who wants to experience the game for what it is, not necessarily just to win, often playing with big creatures and spells in a straightforward style. As a result, many Timmies/Tammies are considered to be young and inexperienced, but this isn't necessarily true. Johnny/Jenny: Johnny/Jenny is the player who enjoys the interactions between the cards. His/her deck is often an expression of its creator, and deckbuilding is often more important than the actual gameplay. Spike: Spike is the player who wants to win no matter what. Spike tends to play to prove how good he/she is at Magic and is generally the most competitive of the three. In addition, there are two "card appreciators" who can be classified as psychographic profiles: Vorthos and Melvin/Mel. These two aren't exclusive of each other, in fact, they're simply the extreme ends of a similar spectrum to the Timmy/Johnny/Spike one above. Vorthos is the person (not necessarily player) who enjoys the story surrounding the cards, and will often pick apart the art and flavor. Melvin, on the other hand, enjoys the mechanics of the cards and how they operate. Originally, the psychographics were all male names, but with the growing diversity of the Magic community, Mark Rosewater expanded the psychographic names to include female names; with notably Spike and Vorthos being used for both genders. Colors of Magic "The five colors of Magic: The Gathering" Most spells come in one of five colors. The colors can be seen on the back of the cards, in a pentagonal design, called the "Color Wheel" or "Color Pie". Clockwise from the top, they are: white, blue, black, red, and green, respectively abbreviated WUBRG (often pronounced "woo-berg" by players and designers). ("U" for "blue" comes from the fact that the mana symbols were typeset by their initials, and "B" was used for black. These same letter codes were used when Wizards released official card lists.) To play a spell of a given color, at least one mana of that color is required. This mana is normally generated by a basic land: plains for white, island for blue, swamp for black, mountain for red, and forest for green. The balances and distinctions among the five colors form one of the defining aspects of the game. Each color has strengths and weaknesses based on the "style" of magic it represents. White is the color of order, equality, righteousness, healing, law, community, peace, absolutism/totalitarianism, and light. White's strengths are a roster of small creatures that are strong collectively; protecting those creatures with enchantments; gaining life; preventing damage to creatures or players; imposing restrictions on players; reducing the capabilities of opposing creatures, and powerful spells that "equalize" the playing field by destroying all cards of a given type. White creatures are known for their "Protection" from various other colors or even types of card, rendering them nearly impervious to harm from those things. Numerous white creatures also have "First Strike", "Lifelink", and "Vigilance". White's weaknesses include a focus on creatures, its unwillingness to simply kill creatures outright (instead hobbling them with restrictions that can be undone), and the fact that many of its most powerful spells affect all players equally—including the casting player.[verification needed] Blue is the color of intellect, reason, illusion, logic, knowledge, manipulation, and trickery, as well as the classical elements of air and water. Blue's cards are best at letting a player draw additional cards; permanently taking control of an opponent's cards; returning cards to their owner's hand; making cards go directly from a player's deck to their graveyard; and countering spells, causing them to be discarded and the mana used to pay them wasted. Blue's creatures tend to be weaker than creatures of other colors, but commonly have abilities and traits which make them difficult to damage or block, particularly "Flying" and to a lesser extent "Shroud" or "Hexproof". Blue's weaknesses include having trouble permanently dealing with spells that have already been played, the reactive nature of most of its spells, and a small (and expensive) roster of creatures.[verification needed] Black is the color of power, ambition, greed, death, illness, corruption, selfishness, amorality, and sacrifice; it is not necessarily evil, though many of its cards refer directly or indirectly to this concept. Black cards are best at destroying creatures, forcing players to discard cards from their hand, making players lose life, and returning creatures from the players' graveyards. Furthermore, because Black seeks to win at all costs, it has limited access to many abilities or effects that are normally available only to one of the other colors; but these abilities often require large sacrifices of life totals, creatures, cards in hand, cards in library, and other difficult-to-replace resources. Black is known for having creatures with the ability "Intimidate", making them difficult to block. Lesser black abilities include "Deathtouch" and "Regeneration".[verification needed] Black's main weaknesses are an almost complete inability to deal with enchantments and artifacts, its tendency to hurt itself almost as badly as it hurts the opponent, and difficulties in removing other Black creatures. Red is the color of freedom, chaos, passion, creativity, impulse, fury, warfare, lightning, the classical element of fire, and the non-living geological aspects of the classical element earth. Red's strengths include destroying opposing lands and artifacts, sacrificing permanent resources for temporary but great power, and playing spells that deal "direct damage" to creatures or players, usually via applications of fire. Red has a wide array of creatures, but with the exception of extremely powerful dragons, most are fast and weak, or with low toughness, rendering them easier to destroy. Some of Red's cards can turn against or hurt their owner in return for being more powerful for their cost. Red also shares the trickery theme with Blue and can temporarily steal opponents' creatures or divert spells, although generally not permanently. Many of Red's most famous creatures have the "Haste" trait, which lets them attack and use many abilities as soon as they enter the battlefield. The ability to raise a creature's power temporarily is also common among Red's creatures. Red's weaknesses include its inability to destroy enchantments, the self-destructive nature of many of its spells, and the way in which it trades early-game speed at the cost of late-game staying power. Red also has the vast majority of cards that involve random chance.[verification needed] Green is the color of life, nature, reality, evolution/adaptability, ecology, interdependence, instinct, and indulgence. Green's strengths are on the battlefield, usually winning through combat with creatures, of which it has a broad menagerie. These tend to be strong for their cost and have abilities that make them more survivable like Regenerate and Hexproof. Green creatures also often have "Trample", an ability which allows them to deal attack damage to an opponent if blocked by a weaker creature. Many Green spells bolster its creatures' power, either permanently or temporarily. Green spells often focus on growth, such as regaining life points, amassing large quantities of green mana, and getting land cards faster, thus allowing the player more resources and the capacity to get strong creatures on the battlefield faster. Green's weakness is an inability to defend against indirect attacks. It has few cards that allow it to counterattack against the hand, library, or graveyard; Green also has few defenses against creatures that bypass its own powerful creatures when attacking, via abilities like Landwalk or Intimidate. However, some Green cards can be reliable as a counter against Flying creatures and spells.[verification needed] The colors adjacent to each other on the pentagon are "allied" and often have similar, complementary abilities. For example, Blue has a relatively large number of flying creatures, as do White and Black, which are next to it. The two non-adjacent colors to a particular color are "enemy" colors, and are thematically opposed. For instance, Red tends to be very aggressive, while White and Blue are often more defensive in nature. The Research and Development (R&D) team at Wizards of the Coast aims to balance power and abilities among the five colors by using the "Color Pie" to differentiate the strengths and weaknesses of each. This guideline lays out the capabilities, themes, and mechanics of each color and allows for every color to have its own distinct attributes and gameplay. The Color Pie is used to ensure new cards are thematically in the correct color and do not infringe on the territory of other colors. Multi-color cards were introduced in the Legends set and typically use a gold frame to distinguish them from mono-color cards. These cards require mana from two or more different colors to be played and count as belonging to each of the colors used to play them. Multi-color cards typically combine the philosophy and mechanics of all the colors used in the spell's cost, and tend to be proportionally more powerful compared to single-color or hybrid cards, as requiring multiple colors of mana makes them harder to cast. More recently, two-color "hybrid" cards were introduced in the Ravnica set, and appeared extensively throughout the Shadowmoor and Eventide sets. Hybrid cards are distinguished by a gradient frame with those two colors, and can be paid with either of the card's colors; for instance, a card with two hybrid-red/white icons can be cast using two red mana, two white mana, or one of each. Several sets have made multi-colored cards a theme, including Shards of Alara, both Ravnica blocks and others. Core sets do not typically include multi-color cards in them, although the Core 2013 set was the first to do so. Colorless cards belong to no color, and most often appear in the form of Lands and Artifacts. Unlike the five colors, Colorless cards do not have a specific personality or style of play. Sometimes, colorless cards will imitate the mechanics of a particular color, though in a less-efficient manner than a similar colored card. Often colorless cards are linked to one or more colors via their abilities, through story references, or through flavor text on the cards themselves. With the Rise of the Eldrazi expansion, however, colorless cards that are neither artifacts nor lands have been introduced for the first time in larger quantities. Luck vs. skill Magic, like many other games, combines chance and skill. One frequent complaint about the game involves the notion that there is too much luck involved, especially concerning possessing too many or too few lands. Early in the game especially, too many or too few lands could ruin a player's chance at victory without the player having made a mistake. This in-game statistical variance can be minimized by proper deck construction, as an appropriate land count can reduce mana problems. The standard land count in most 60-card decks ranges from 19 to 26. In Duels of the Planeswalkers 2012, the land count is automatically adjusted to 40% of the total deck size. The use of special spells or lands and the relative costs of the main spells within the deck can substantially increase or decrease the number of lands required. Other cards can minimize the player's dependence on lands for mana. A "mulligan" rule was later introduced into the game, first informally in casual play and then in the official game rules. The modern "Paris mulligan" allows players to shuffle an unsatisfactory opening hand back into the deck at the start of the game, draw a new hand with one fewer card, and repeat until satisfied. In multiplayer, a player may take one mulligan without penalty, while subsequent mulligans will still cost one card (a rule known as "Partial Paris mulligan"). The original mulligan allowed a player a single redraw of seven new cards if that player's initial hand contained seven or zero lands. A variation of this rule called a "forced mulligan" is still used in some casual play circles and in multiplayer formats on Magic Online, and allows a single "free" redraw of seven new cards if a player's initial hand contains seven, six, one or zero lands. Confessing his love for games combining both luck and skill, Magic creator Richard Garfield admitted its influence in his design of Magic. In addressing the complaint about luck influencing a game, Dr. Garfield points out that new and casual players tend to appreciate luck as a leveling field, in which a random effect increases their chances of winning. Meanwhile, a player with higher skills appreciates a game with less chance, as the higher degree of control increases their chances of winning. According to Dr. Garfield, Magic has and would likely continue decreasing its degree of luck as the game matured. The "Mulligan rule", as well as card design, past vs. present, are good examples of this trend. He feels that this is a universal trend for maturing games. Dr. Garfield explained using chess as an example, that unlike modern chess, in predecessors, players would use dice to determine which chess piece to move. Gambling The original set of rules prescribed that all games were to be played for ante. Garfield was partly inspired by the game of marbles and wanted folks to play with the cards rather than collect them. For Magic, each player removed a card at random from the deck they wished to play with and the two cards would be set aside as the ante. At the end of the match, the winner would take and keep both cards. Early sets included a few cards with rules designed to interact with this gambling aspect, allowing replacements of cards up for ante, adding more cards to the ante, or even permanently trading cards in play (such as Demonic Attorney, which required an opponent to ante another card or forfeit the match). The cards came with the instruction that they should be removed from the deck in a game that was not being played for ante. The ante concept became controversial because many regions had restrictions on games of chance. The rule was later made optional because of these restrictions and because of players' reluctance to possibly lose a card that they owned. The gambling rule is forbidden at sanctioned events and is now mostly a relic of the past, though it still sees occasional usage in friendly games as well as the "five color" format. The last card to mention ante was printed in the 1995 expansion set Homelands. Variant rules Main article: Magic: The Gathering formats While the primary method of Magic play is one-on-one using standard deck construction rules, there are many alternative formats for playing the game. The most popular alternatives describe ways of playing with more than two players (with teams or free-for-all) or change the rules about how decks can be built. Organized play Officially sanctioned Magic tournaments attract participants of all ages and are held around the world. These players in Rostock, Germany competed for an invitation to a professional tournament in Nagoya, Japan. Main article: The DCI Magic tournaments regularly occur in gaming stores and other venues. Larger tournaments with hundreds of competitors from around the globe sponsored by Wizards of the Coast are arranged many times every year, with substantial cash prizes for the top finishers. A number of websites report on tournament news, give complete lists for the most currently popular decks, and feature articles on current issues of debate about the game. The DCI, which is owned and operated by Wizards of the Coast, is the organizing body for sanctioned Magic events. The two major categories of tournament play are "Constructed" and "Limited". Constructed In "Constructed" tournaments, each player arrives with a pre-built deck, which must have a minimum of sixty cards and follow other deck construction rules. The deck may also have up to a fifteen card sideboard, which allows players to modify their deck: following the first game of each match, each player is permitted to replace any number of cards in his or her deck with any number of cards from his or her sideboard. The original deck configuration is restored before the start of the next match. Normally the first player to win two games is the winner of the match. Different formats of Constructed Magic exist, each allowing different cards. The DCI maintains a "Banned and Restricted List" for each format; players may not use banned cards at all, and restricted cards are limited to one copy per deck. The DCI bans cards that it determines are damaging the health of a format; it seeks to use this remedy as infrequently as possible, and only a handful of cards have been banned in recent years. Currently, the only format with a Restricted List is Vintage. Block Constructed formats are defined by the cycle of three sets of cards in a given block. For example, the Ravnica block format consists of Ravnica: City of Guilds, Guildpact, and Dissension. Only cards that were printed in one of the sets in the appropriate block can be used in these formats. Standard, formerly known as Type 2, contains the current block, the last completed block, and the most recent core set (except in the intervening months between the core set release in summer and rotation in October, wherein the most recent core set and previous core set are both Standard legal). The Standard card pool undergoes a "rotation" each year in October, when the first set of the next block is released. Currently the Standard card pool consists of the Theros block, the Khans of Tarkir block, and Magic 2015. Extended was a format where all Magic blocks and core sets issued during the last four years are legal.[note 2] As in Standard, the pool rotates once a year in October.[note 3] On October 8, 2013, this format was retired and is no longer an official format. Modern is a format that was first played at the Magic Online 2011 Community Cup, a response to players' desire for a non-rotating format that is more accessible to newer players. This format was originally championed by Gavin Verhey and the “Overextended” community, with Wizards of the Coast inducting Modern as a legal format on August 12, 2011, and saw its first paper magic play at Pro Tour Philadelphia 2011. Modern consists of every block and core set using the modern card frame since the release of 8th Edition to the present, including Coldsnap and Timeshifted cards from Time Spiral. Cards that were not printed in one of these sets, such as Planechase or Commander series cards, are not legal in Modern, even if they have the modern card frame. Legacy is considered an "Eternal" format because the card pool never rotates. This means that all the sets that are currently legal will continue to be legal and any new tournament-legal cards will automatically be included in the legal card pool upon their release. Vintage, previously known as Type 1, is also an Eternal format. The only banned cards in Vintage are cards using the "ante" mechanic and a few other cards that the DCI considers inappropriate for competitive Magic. Because of the expense in acquiring the scarce old cards to play competitive Vintage, many Vintage tournaments permit players to proxy a certain number of cards. Commander, previously known as Elder Dragon Highlander, is a primarily casual format, but can be played competitively. In this format each player constructs a 100 singleton deck that has a legendary creature that acts as a commander. The deck construction is limited to the colors that are represented by the chosen commander. This legendary creature is kept in a special "commander zone" and may be cast at any time you can afford to cast the creature. Pauper, played primarily on Magic: The Gathering Online, is an eternal format in which only cards printed at the "common" rarity can be played with. It was developed to allow players new to Magic: The Gathering Online to play a constructed format with minimal investment, as common cards tend to be very inexpensive. A small number of cards are banned in Pauper, primarily those that enable combo decks. Apart from the handful of banned cards, any card may be played as long as it was printed at common rarity in a set that was released on Magic: The Gathering Online. For example, the card Hymn to Tourach cannot be played in Magic: The Gathering Online Pauper decks, because although it was printed as a common card in the Fallen Empires expansion set, it was released digitally only as an uncommon card in the Masters Edition set. Pauper is not an official format outside of Magic: The Gathering Online, therefore the banned list and allowable sets may vary when Pauper tournaments are played in real-life settings. Limited In "Limited" tournaments, players construct decks using booster packs plus any additional basic lands of their choice. The decks in Limited tournaments must be a minimum of forty cards. All unused cards function as the sideboard, which, as in "Constructed" formats, can be freely exchanged between games of a match, as long as the deck continues to adhere to the forty card minimum. The rule that a player may use only four copies of any given card does not apply. Sealed Deck tournaments give each player six 15-card booster packs from which to build his or her deck. Booster Draft is usually played with eight players. The players are seated around a table and each player is given three booster packs. Each player opens a pack, selects a card from it, and passes the remaining cards to the next player. Each player then selects one of the remaining cards from the pack he or she just received, and passes the remaining cards again. This continues until all of the cards are depleted. Players pass left for the first and third packs, and right for the second. Players then build decks out of any of the cards that they selected during the drafting. Talking, signaling, and showing cards is forbidden during the drafting process, except for double faced cards from the Innistrad block, which cannot be hidden as each side of the physical card has a spell printed on it. By winning a yearly Invitational tournament, Jon Finkel won the right for this card to feature his design and likeness. Tournament structure The DCI maintains a set of rules for being able to sanction tournaments, as well as runs its own circuit. Some hobby shops offer "Gateway" tournaments as a "casual" entrance to structured play. The same shops often offer "Friday Night Magic" tournaments as a stepping-stone to more competitive play. The DCI runs the Pro Tour as a series of major tournaments to attract interest. The right to compete in a Pro Tour has to be earned by either winning a Pro Tour Qualifier Tournament or being successful in a previous tournament on a similar level. A Pro Tour is usually structured into two days of individual competition played in the Swiss format. On the final day, the top eight players compete with each other in an elimination format to select the winner. At the end of the competition in a Pro Tour, players are awarded Pro Points depending on their finishing place. If the player finishes high enough, they will also be awarded prize money. Frequent winners of these events have made names for themselves in the Magic community, such as Gabriel Nassif, Kai Budde and Jon Finkel. As a promotional tool, the DCI launched the Hall of Fame in 2005 to honor selected players. At the end of the year the Magic World Championship is held. The World Championship functions like a Pro Tour, except that competitors have to present their skill in three different formats (usually Standard, booster draft and a second constructed format) rather than one. Another difference is that invitation to the World Championship can be gained not through Pro Tour Qualifiers, but via the national championship of a country. Most countries send their top four players of the tournament as representatives, though nations with minor Magic playing communities may send just one player. There are also other means to be invited to the tournament. The World Championship also has a team-based competition, where the national teams compete with each other. At the beginning of the World Championship, new members are inducted into the Hall of Fame. The tournament also concludes the current season of tournament play and at the end of the event, the player who earned the most Pro Points during the year is awarded the title "Pro Player of the Year". The player who earned the most Pro Points and did not compete in any previous season is awarded the title "Rookie of the Year". Invitation to a Pro Tour, Pro Points and prize money can also be earned in lesser tournaments called Grand Prix that are open to the general public and are held more frequently throughout the year. Grand Prix events are usually the largest Magic tournaments, sometimes drawing more than 1,000 players. The largest Magic tournament ever held was Grand Prix: Las Vegas in June 2013 with a total of 4,500 players. Product and marketing See also: List of Magic: The Gathering sets Magic: The Gathering cards are produced in much the same way as normal playing cards. Each Magic card, approximately 63 x 88 mm in size (2.5 by 3.5 inches), has a face which displays the card's name and rules text as well as an illustration appropriate to the card's concept. 14,728 unique cards have been produced for the game as of February 2015, many of them with variant editions, artwork, or layouts, and 600–1000 new ones are added each year. The first Magic cards were printed exclusively in English, but current sets are also printed in Simplified Chinese, Traditional Chinese, French, German, Italian, Japanese, Korean, Portuguese, Russian, and Spanish. The overwhelming majority of Magic cards are issued and marketed in the form of sets, of which there are currently two types, the Core Set and the themed expansion sets. Under Wizards of the Coast's current production and marketing scheme, a new set is released quarterly. Various products are released with each set to appeal to different segments of the Magic playing community: The majority of cards are sold in booster packs, which contain fifteen cards normally divided into four rarities, which can be differentiated by the color of the expansion symbol.[note 4] A fifteen-card Booster Pack will typically contain one rare (gold), three uncommons (silver), ten commons (black), and one basic land (colored black, as Commons). Sets prior to Shards of Alara contained eleven commons instead of a basic land. Shards of Alara also debuted mythic rares (red-orange), which replace one in eight rare cards on average. There are also premium versions of every card with holographic foil, randomly inserted into some boosters in place of a common, which replace about one in seventy cards. Four to five Intro Packs are released with each set. An Intro Pack is a pre-constructed deck aimed at newcomers that highlights one of the set's mechanical themes. It comes with two booster packs from that set, a rulebook, and a fixed selection of cards, including one foil rare. Each set from Mirrodin Besieged to Gatecrash has also featured two Event Decks, which are preconstructed decks designed as an introduction to tournament play. Starting from Dragon's Maze, each set features only one Event Deck. Previously cards were also sold in Tournament Packs typically containing three rares, ten uncommons, thirty-two commons, and thirty basic lands.[note 5] Tournament Packs were discontinued after Shards of Alara. The Core Set started to be released annually (previously biennially) in July 2009 coinciding with the name format change from 10th Edition to Magic 2010. This shift also introduced new, never before printed cards into the core set, something that previously had never been done. The current Core Set, Magic 2015, was released on July 18, 2014. The expansion sets are released in a three-set block starting in October, typically with a large initial set (that gives its name to the block) and then two smaller follow-ups at three-month intervals. These sets consist almost exclusively of newly designed cards. Contrasted with the wide-ranging Core Set, each expansion is focused around a subset of mechanics and ties into a set storyline. Expansions also dedicate several cards to a handful of particular, often newly introduced, game mechanics which do not appear in other sets. In addition to the quarterly set releases, Magic cards are released in other products as well, such as the recent Planechase and Archenemy spin-off games. These combine reprinted Magic cards with new, oversize cards with new functionality. Magic cards are also printed specifically for collectors, such as the From the Vault and Premium Deck Series sets, which contain exclusively premium foil cards. In 2003, starting with the Eighth Edition Core Set, the game went through its biggest visual change since its creation—a new card frame layout was developed to allow more rules text and larger art on the cards, while reducing the thick, colored border to a minimum. The new frame design aimed to improve contrast and readability using black type instead of the previous white, a new font, and partitioned areas for the name, card type, and power and toughness. For the first few years of its production, Magic: The Gathering featured a small number of cards with names or artwork with demonic or occultist themes, in 1995 the company elected to remove such references from the game. In 2002, believing that the depiction of demons was becoming less controversial and that the game had established itself sufficiently, Wizards of the Coast reversed this policy and resumed printing cards with "demon" in their names. Spin-offs Magic: The Gathering video games, comics, and books have been produced under licensing or directly by Wizards of the Coast. While comics and books have mostly been supplements to develop a background story for the game, several video games have been produced which lean in varying degree on the original game. For the first computer games Wizards of the Coast had sold licenses to Acclaim and MicroProse roughly at the same time. While MicroProse's Magic: The Gathering received favorable reviews, Acclaim's Magic: The Gathering: BattleMage was mostly dismissed with negative reaction. With Magic: The Gathering Online, Wizards developed and released a computer version of the game themselves that allows players to compete online against other players using the original Magic cards and rules. The latest computer implementation of Magic is Magic: The Gathering – Duels of the Planeswalkers which was developed by Stainless Games and released for the Xbox 360 in June 2009. The game was ported to Windows in June of the next year. Six months after the PC release of Duels of the Planeswalkers, the game was ported to the PlayStation 3 platform. The game was the most-played Xbox Live title for two weeks after its release. In September 2011, Hasbro and IDW Publishing accorded to make a 4-issue mini-series about Magic: The Gathering with a new story but heavily based on MTG elements and with a new Planeswalker called Dack Fayden, which story is mainly developed in the planes of Ravnica and Innistrad. The ongoing series started in February 2012. In 2015 Wizards of the Coast and Hasbro published Magic: The Gathering – Arena of the Planeswalkers. Arena of the Planeswalkers is a tactical boardgame where the players maneuver miniatures over a customizable board game. The miniatures represent the five planeswalkers Gideon, Jace, Liliana, Chandra, and Nissa as well as select creatures from the Magic: The Gathering universe. Knock-offs In 1998, PGI Limited created Havic: The Bothering, which was a parody of Magic: The Gathering. Wizards of the Coast, which owned the rights to Magic: The Gathering, took active steps to hinder the distribution of the game and successfully shut out PGI Limited from attending GenCon in July 1998. In an attempt to avoid breaching copyright and Richard Garfield's patent, each starter deck of Havic had printed on the back side, "This is a Parody", and on the bottom of the rule card was printed, "Do not have each player: construct their own library of predetermined number of game components by examining and selecting [the] game components from [a] reservoir of game components or you may infringe on U.S. Patent No. 5,662,332 to Garfield." Secondary market The Alpha version of the Black Lotus card (here, signed by the artist) is usually considered to be the most valuable non-promotional Magic card ever printed, aside from misprinted cards. There is an active secondary market in individual cards among players and game shops. Many physical and online stores sell single cards or "playsets" of four of a card. Common cards rarely sell for more than a few cents and are usually sold in bulk. Uncommon cards and weak rare cards typically sell from 10¢ up to $1. The most expensive cards in standard tournament play are usually priced at $35 to $50, although many commonly played cards in the modern and legacy formats sell for $60 to $180. Foil versions of rare and mythic rare cards are typically priced at about twice as much as the regular versions. Some of the more sought after rare and mythic rare cards can have foil versions that cost up to three or four times more than the non foil versions. A few of the oldest cards, due to smaller printings and limited distribution, are highly valued and extremely rare. This is in part due to the "Reserve List", a list of cards from the sets Alpha to Urza's Destiny (1994–1999) that Wizards has promised never to reprint. The most expensive card that was in regular print (as opposed to being a promotional or special printing) is Black Lotus. In 2013, a "Pristine 9.5 grade" Beckett Grading Services graded Alpha Black Lotus was bought by an anonymous buyer, for a record $27,302. The secondary market started with comic book stores, and hobby shops displaying and selling cards, with the cards' values determined somewhat arbitrarily by the employees of the store. With the expansion of the internet, prices of cards were determined by the amount of tournament deck lists a given card would appear in. If a card was played in a tournament more frequently, the cost of the card would be higher (in addition to the market availability of the card). When eBay, Amazon, and other large online markets started to gain popularity, the Magic secondary market evolved substantially. Buying and selling Magic cards online became a source of income for people who learned how to manipulate the market. Today, the secondary market is so large and complex, it has become an area of study for consumer research, and some people make a career out of market manipulation, creating mathematical models to analyze the growth of cards' worth, and predict the market value of both individual cards, and entire sets of cards. As of late 2013, Wizards of the Coast has expressed concern over the increasing number of counterfeit cards in the secondary market. Wizards of the Coast has since made an effort to counteract the rise of counterfeits by introducing a new holofoil stamp on all rare and mythic rare cards as of Magic 2015. Artwork See also: List of Magic: The Gathering artists Each card has an illustration to represent the flavor of the card, often reflecting the setting of the expansion for which it was designed. Much of Magic's early artwork was commissioned with little specific direction or concern for visual cohesion. One infamous example was the printing of the creature Whippoorwill without the "flying" ability even though its art showed a bird in flight. The art direction team later decided to impose a few constraints so that the artistic vision more closely aligned with the design and development of the cards. Each block of cards now has its own style guide with sketches and descriptions of the various races and places featured in the setting. A few early sets experimented with alternate art for cards. However, Wizards came to believe that this impeded easy recognition of a card and that having multiple versions caused confusion when identifying a card at a glance. Consequently, alternate art is now only used sparingly and mostly for promotional cards.[note 6] When older cards are reprinted in new sets, however, Wizards of the Coast has guaranteed that they will be printed with new art to make the older cards more collectible. Starting in 1995, the copyright on all artwork commissioned is transferred to Wizards of the Coast once a contract is signed. However, the artist is allowed to sell the original piece and printed reproductions of it, and for established and prolific Magic artists, this can be a lucrative source of revenue. As Magic has expanded across the globe, its artwork has had to change for its international audience. Artwork has been edited or given alternate art to comply with the governmental standards. For example, the portrayal of skeletons and most undead in artwork was prohibited by the Chinese government until 2008. Storyline Main article: Magic: The Gathering storylines This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (May 2015) The way Magic storylines are conceived and deployed has changed considerably over the years. The main premise of Magic is that countless possible worlds (planes) exist in the Multiverse, and only unique and rare beings called Planeswalkers are capable of traversing the Multiverse. This allows the game to frequently change worlds so as to renew its mechanical inspiration, while maintaining planeswalkers as recurrent, common elements across worlds. An intricate storyline underlies the cards released in each expansion and is shown in the art and flavor text of the cards, as well as in novels and anthologies published by Wizards of the Coast (and formerly by Harper Prism). Important storyline characters, objects and locations often appear as cards in Magic sets, usually as "Legendary" creatures, artifacts, and lands, or as "Planeswalker" cards. The original Magic: The Gathering Limited Edition has no overarching storyline, and the cards only have unconnected bits of lore and trivia to give the cards some individual depth. In the early expansion sets until Visions there is usually no real story arc either. Instead some of these sets are inspired from mythologies of various earthen cultures. This is most apparent in Arabian Nights, that takes some of the One Thousand and One Nights characters and makes them into Magic cards. Norse mythological influences can be seen worked into Ice Age and African influences into Mirage. However, not all of the early sets can be linked as directly to earth mythology. Antiquities touches on an independent storyline about two warring brothers, Urza and Mishra. Homelands is the exception in that period. For this set a convoluted back story was first conceived and the cards in the set were designed afterwards to fit the storyline. Beginning with the Weatherlight expansion there was a shift in the way Magic storylines were used. For the blocks from Weatherlight through Apocalypse the story was laid out in a character-centric way, following the events around a ship, the Weatherlight, and its crew. With help of the planeswalking capabilities of the Weatherlight the protagonists travel through the multiverse to fight Yawgmoth and his army of Phyrexians. Other parts of the storyline in these years include Urza's preparation against the Phyrexian invasion on Dominaria and his creation of the golem Karn. Odyssey through Scourge are an unconnected storyline set 100 years later on the Dominarian continent of Otaria, where multiple factions battle for control of the Mirari, a powerful magical artifact left by Karn. After Scourge Magic storylines have mostly panned away from Dominiaria. New planes were created to set the scene for new storylines. In contrast to the previous character-centric storylines these storylines are a means to give the players a feel for the world they are entering. The first of these worlds was Mirrodin, an artificial, metallic plane created by Karn, watched over and ruled by an animated Mirari; Kamigawa followed, a Japanese-themed plane set in the time of a great war between spirits and mortals; and then Ravnica, a completely urbanised plane headed by ten guilds, at a time when their pact is falling apart and they're on the verge of all-out war. For the Time Spiral block the story returned to Dominaria, albeit in a devastated apocalyptic state. The following blocks again took place on new planes: Lorwyn, inspired by Celtic mythology, which shifts from a utopic and bucolic paradise to a shadowy and creepy land of darkness; and Alara, a world split into five magically and culturally distinct "shards" but later reunited. After Alara Magic visited the Zendikar, a world used as a prison to entrap a race of interplanar parasitic monsters called the Eldrazi, which were inspired by the Cthulhu's Old Ones. However, beginning with Zendikar the world-centric storytelling was complemented by an overlying story layer. Planeswalker cards had been introduced in Lorwyn and these Planeswalker characters were used to give the overarching storyline a sense of continuity, despite the constant change of setting. For example the planeswalker Jace Beleren is a protagonist in the Zendikar storyline as well as in the generally unconnected Return to Ravnica storyline. The block following Zendikar, Scars of Mirrodin, revisited the plane of Mirrodin, where the Mirran natives battled against an invading Phyrexian corruption unwittilingly left by Karn (again interconnecting various storylines). To further integrate the storyline into the gameplay, certain events for the second set, Mirrodin Besieged, encouraged players to affiliate themselves with either the Mirran or Phyrexian faction. The storyline then proceeded to Innistrad, a Gothic horror themed plane where humanity struggles to survive against werewolves, vampires, zombies, and spirits after the disappearance of their angelic guardian. The Return to Ravnica block tells of Jace Beleren's investigation in Ravnica of Niv-Mizzet's machinations during the struggle between the ten guilds for power after the dissolution of the Guildpact. This culminates in each guild picking a champion to run the Implicit Maze. The next block, Theros, was inspired by classical Greek themes especially the epic struggle of heroes against monsters. Its story is about a planeswalker, Xenagos, who aspires to godhood. He briefly achieves that goal, but is slain by the planeswalkers Ajani and Elspeth. Magic then traveled to Tarkir where five great Khans ruled over a land that had once been home to dragons. The Planewalker Sarkhan Vol visited Tarkir, the plane of his birth, due to voices in his head telling him to travel there. While on Tarkir, Sarkhan was taken to the past where he saved the life of a dragon called Ugin. Traveling back to the present, he finds that his action has prevented the extinction of the dragons, who now rule over Tarkir. Major characters The expansive multiverse naturally has quite a few characters; however, only a few play key roles in the story as a whole. Most of these are Planeswalkers, but a handful of others are also significant. Ajani Goldmane A white Planeswalker from Naya, Ajani is the only one of the "Lorwyn Five" (the first five Planeswalkers to be put on cards) to not be a human; instead, he's a leonin. He's been to Lorwyn and Theros in addition to his home plane of the Naya shard of Alara. The first of the Lorwyn Five to have a multicolored version, he went into red magic while pursuing his brother's killer, later into green when he got involved in the conflict on the plane of Theros, and into white for the 2015 Core Set. Chandra Nalaar: A red Planeswalker hailing from Kaladesh, Chandra epitomizes the passion and explosiveness of red mages. She's one of the Lorwyn Five, and has shown up in the planes of Zendikar and Lorwyn. Garruk Wildspeaker: The green member of the Lorwyn Five, Garruk, like many green mages, believes that one should live like a predator in order to revere nature. He's been to Innistrad, where he became cursed by Liliana, and Lorwyn. He is the only planeswalker to feature a Dual-Sided version and went into multicolored when the effect of his curse allowed him to use black. Jace Beleren: The blue Lorwyn Five Planeswalker from the plane of Vryn, Jace has visited a variety of planes, including Zendikar, Ravnica, and Lorwyn. While in his adopted home of Ravnica, he helped the dragon Niv-Mizzet and human (unknowingly a planeswalker) Ral Zarek solve the Implicit Maze. Karn: Karn is the golem created by Urza to go back in time and fight the Phyrexians. Long after the Brother's War, he creates his own metallic plane, calling it Argentum (although the guardian he created for it renamed it Mirrodin). Liliana Vess: The black-aligned necromancer of the Lorwyn Five, Liliana is very ambitious and cunning. She shows up in Innistrad, Lorwyn and Shandalar. Mishra: One of the most powerful Dominarian artificers, Mishra fought his brother Urza over the powerful artifacts and abundant resources in Argoth. Mishra ends up teaming up with Phyrexia, but still loses. Nicol Bolas: A Dominarian dragon who's the first tricolored Planeswalker, Nicol Bolas is an extremely intelligent and evil dragon who tries to take over the shards of Alara. Ugin: A colorless dragon planeswalker, Ugin is one of the most ancient planeswalkers. Along with Sorin Markov and Nahiri, he brought about the imprisonment of the Eldrazi on Zendikar. Before the events of the set Fate Reforged, Ugin was slain by Nicol Bolas. However, Sarkhan Vol traveled back in time during the events of the Tarkir block to save him, and Ugin is now alive, ready to recapture the freed Eldrazi. Urza: A Dominarian artificer who, in the midst of the war against his brother Mishra, ascended as a Planeswalker. After his victory, he seeks out those who allied with Mishra, namely, the Phyrexians. Yawgmoth: Also known as 'The Father of the Machines', a crazed scientist who, whilst never appearing as a card himself, featured as a major antagonist in the history and lore of the game, he is responsible for the proliferation and creation of Phyrexia as it is known today. His life supposedly comes to an end at the completion of the Invasion block, but his machinations and 'descendants' still have an impact on the unfolding history of the plane of Mirrodin as seen in the Scars of Mirrodin block. Academic research There are several examples of academic, peer-reviewed research concerning different aspects of Magic: The Gathering. One example examined how players use their imaginations when playing. This research studied hobby players and showed how players sought to create and participate in an epic fantasy narrative. Another example used online auctions for Magic cards to test revenue outcomes for various auction types. A final example uses probability to examine Magic card-collecting strategies. Using a specific set of cards in a specialized manner has shown Magic: The Gathering to be Turing complete. In popular culture In the South Park episode Cock Magic, (Season 18 Episode 8), Kenny McCormick wins a tournament style game of Magic: The Gathering. Typing in "the gathering" in StarCraft grants you unlimited energy. In the Family Guy episode "Peter's Daughter" (Season 6, Episode 7), a suicide bomber arrives in Heaven to the sight of 72 virgins - a crowd of geeky-looking teenaged boys who invite him to play Magic: the Gathering. Notes Jump up ^ Notably, the Apprentice program. See Magic: The Gathering video games. Jump up ^ Prior to July 15, 2010, Extended format was different in the fact that Extended was the past seven years were legal instead of four. Jump up ^ Prior to March 1, 2008, Extended format rotation system was different and more complicated: three Magic blocks rotated out every three years. Jump up ^ For cards released prior to Exodus, rarities must be checked against an external cardlist or database, as all expansion symbols were black. Jump up ^ "Typically" is used due to a change in card distribution in Time Spiral which allows premium cards of any rarity to replace Common cards instead of cards of their own rarity. See Purple Reign for more information. Jump up ^ A notable exception are Basic Land cards, but those are easily identifiable due to the oversized mana symbol in their text boxes. References Jump up ^ ICv2 (November 9, 2011). "'Magic' Doubled Since 2008". Retrieved November 10, 2011. For the more than 12 million players around the world [...] Note that the "twelve million" figure originally given here was used by Hasbro; while through their subsidiary Wizards of the Coast they would be in the best position to know through tournament registrations and card sales, they also have an interest in presenting an optimistic estimate to the public. Jump up ^ Kotha, Suresh (1998-10-19), Wizards of the Coast (PDF), retrieved 2013-08-11 Jump up ^ Williams, J. Patrick (2007-05-02), Gaming as Culture: Essays on Reality, Identity and Experience in Fantasy Games (PDF), retrieved 2013-08-11 Jump up ^ "Magic: The Gathering Fact Sheet" (PDF). Wizards of the Coast. 2009. Retrieved June 10, 2013. Jump up ^ Miller, John Jackson (2001), Scrye Collectible Card Game Checklist & Price Guide, p. 520. Jump up ^ Milliken, Matthew E. (1995), "Product News", InQuest, The Ultimate Guide to Collectible Card Games: 42. Jump up ^ Lang, Eric (2008-01-27), Design Decisions and Concepts in Licensed Collectible Card Games, retrieved 2014-11-22 Jump up ^ Kaufeld, John (2006), Trading Card Games For Dummies, p. 350. Jump up ^ Owen Duffy (July 10, 2015). "How Magic: the Gathering became a pop-culture hit – and where it goes next". Theguardian.com. Retrieved July 14, 2015. The original card game has 20 million players worldwide [...] Jump up ^ Adkison, Peter (June 1, 2009). "In The Beginning". Wizards of the Coast. Retrieved August 5, 2009. Jump up ^ "Alpha, Beta, and Unlimited Editions". Wizards of the Coast. 2008. Retrieved April 18, 2009. Jump up ^ Rosewater, Mark (February 16, 2009). "25 Random Things about Magic". Wizards of the Coast. Retrieved August 5, 2009. Jump up ^ US 5662332 Jump up ^ Varney, Allen (Jan 9, 1998). "The Year in Gaming". The Austin Chronicle. Retrieved August 27, 2014. Jump up ^ "Pokemon USA, Inc. and Wizards of the Coast, Inc. Resolve Dispute". Businesswire. December 29, 2003. Retrieved September 21, 2007. ^ Jump up to: a b Hannagan, Charley (March 31, 1994). "Magic Playing Cards Conjure Up Big Business – The Cards Turn Player Into Sorcerers Who Cast Spells And Control Creatures". The Post-Standard (Syracuse). p. A1. ^ Jump up to: a b Gaslin, Glenn (October 23, 1994). "Magic: The Gathering". Newport News. p. G1. Jump up ^ Chalk, Titus (2013-07-31), 20 Years Of Magic: The Gathering, A Game That Changed The World, retrieved 2013-08-11 Jump up ^ "Magic 2010 Rules Chages". Wizards of the Coast. June 10, 2009. Retrieved June 14, 2009. ^ Jump up to: a b Galvin, Chris (June 6, 2005). "The Magic Pro Tour Hall of Fame". Wizards of the Coast. Retrieved September 30, 2006. ^ Jump up to: a b "2009 Pro Tour Prize Structures". The DCI. 2009. Retrieved April 18, 2009. Jump up ^ "Neglect and Reversion". The Hardball Times. 2009. Retrieved August 12, 2013. Jump up ^ "Magic Online III Launch Blog". Wizards of the Coast. April 16, 2008. Retrieved June 14, 2009. Jump up ^ Kit, Borys. (January 13, 2014). Fox to Bring 'Magic: The Gathering' to the Big Screen. Hollywood Reporter. Accessed on January 14, 2014. Jump up ^ "‘Game Of Thrones’ Scribe Bryan Cogman Takes On ‘Magic The Gathering’ For Fox". deadline.com. 12 June 2014. Retrieved 18 June 2014. Jump up ^ "Confessions of an MTGO Addict – Magic: the Gathering article". Magic-league.com. Retrieved January 8, 2012. ^ Jump up to: a b Slavin, Barbara (June 20, 2004). "Magic the Gathering casts its spell". USA Today. Retrieved January 8, 2012. Jump up ^ "I Won't Lose My Second Wife: Quitting Magic, by Jason Alam – a Magic: the Gathering Miscellaneous Article". Starcitygames.com. September 18, 2001. Retrieved January 8, 2012. Jump up ^ "Magic Scholarship Series : Daily MTG : Magic: The Gathering". Wizards.com. Retrieved June 22, 2010. Jump up ^ Weisman, Jordan (2007). "Magic: The Gathering". In Lowder, James. Hobby Games: The 100 Best. Green Ronin Publishing. pp. 192–195. ISBN 978-1-932442-96-0. ^ Jump up to: a b c d e f "Awards". Wizards of the Coast. 2006. Retrieved August 5, 2009. Jump up ^ "Origins Award Winners (1993)". Academy of Adventure Gaming Arts & Design. Archived from the original on May 7, 2008. Retrieved April 18, 2009. Jump up ^ "Preisträger" (in German). Friedhelm Merz Verlag. Retrieved March 26, 2012. ^ Jump up to: a b "Origins Award Winners (1998)". Academy of Adventure Gaming Arts & Design. Archived from the original on October 31, 2007. Retrieved November 1, 2007. Jump up ^ "GAMES Hall of Fame". GAMES Magazine. Retrieved April 9, 2010. Jump up ^ "Origins Award Winners (2005)". Academy of Adventure Gaming Arts & Design. Archived from the original on May 7, 2008. Retrieved March 26, 2012. Jump up ^ Chalker, Dave. "Origins Awards 2009". critical-hits.com. Retrieved June 14, 2010. Jump up ^ "The 38th Annual Origins Awards Winners". The Game Manufacturers Association. Retrieved June 16, 2012. Jump up ^ "Magic: The Gathering Comprehensive Rules" (PDF). The DCI. July 11, 2009. pp. 7–8. Retrieved July 24, 2009. Jump up ^ Game design workshop: a playcentric approach to creating innovative games. Books.google.com. Retrieved January 8, 2012. Jump up ^ "Magic: The Gathering Comprehensive Rules" (PDF). The DCI. July 11, 2009. pp. 5–6. Retrieved July 24, 2009. Jump up ^ "Magic: The Gathering Rules". The DCI. February 1, 2009. Retrieved September 24, 2009. This website contains a link to the most up-to-date version of the Comprehensive Rules. Jump up ^ "Magic: The Gathering Comprehensive Rules" (PDF). The DCI. July 11, 2009. p. 7. Retrieved July 24, 2009. Jump up ^ "Magic: The Gathering Comprehensive Rules" (PDF). The DCI. July 11, 2009. pp. 35–40. Retrieved July 24, 2009. Jump up ^ "Magic: The Gathering Comprehensive Rules" (PDF). The DCI. July 11, 2009. p. 5. Retrieved May 4, 2010. Jump up ^ "Standard Format Deck Construction". mtgoacademy. Retrieved 25 July 2013. Jump up ^ "Commander Format". Wizards of the Coast. 2015. Retrieved May 2, 2015. Jump up ^ "Why Magic: The Gathering struggles to remain relevant to casual players". Steve Heisler. 2013. Retrieved May 3, 2015. ^ Jump up to: a b c d e f "Magic: The Gathering Tournament Rules" (PDF). The DCI. July 1, 2009. Retrieved July 24, 2009. Jump up ^ LaPille, Tom (July 26, 2009). "Crafting a Vintage". Wizards of the Coast. Retrieved July 24, 2009. Jump up ^ "A Beginners Guide to Magic the Gathering". Kim E Lumbard. 2003. Retrieved July 24, 2009. Jump up ^ "Magic The Gathering Tips". oshkoshmagic. Retrieved 25 July 2013. Jump up ^ Dr. Jeebus (March 13, 2013). "Johnny/Spike/Timmy: Psychography of a Narcissist". Retrieved April 7, 2014. ^ Jump up to: a b c d e Trick Jarrett (June 4, 2008). "Timmy, Johnny and Spike weigh in on Shards". CoolStuffInc.com LLC. Retrieved April 7, 2014. ^ Jump up to: a b Mark Rosewater (March 20, 2006). "Timmy, Johnny, and Spike Revisited". Wizards of the Coast. Retrieved April 7, 2014. Jump up ^ Mark Rosewater (October 28, 2012). "Blogatog". Mark Rosewater. Retrieved April 7, 2014. ^ Jump up to: a b c d "Running 4E for Your Magic Buddies: Timmy, Johnny, Spike, Vorthos, and Melvin". May 27, 2010. Retrieved April 7, 2014. ^ Jump up to: a b Devon Rule (May 31, 2012). "Vorthos-Melvin Blend: Planeswalkers". CoolStuffInc.com LLC. Retrieved April 7, 2014. ^ Jump up to: a b William (October 7, 2013). "Command // Conquer Editorial – Appreciation for Man and Melvin". Commandercast. Retrieved April 7, 2014. Jump up ^ http://markrosewater.tumblr.com/post/113098836228/the-player-psychographics Jump up ^ An article on the consideration of "purple" for the set Planar Chaos is at The Color Purple. Jump up ^ Howell, Dave. "Collector's Card Checklist". Retrieved 2 October 2012. ^ Jump up to: a b c d e f A series of articles written by Mark Rosewater describing each color in depth (as well as multicolor cards, artifact or colorless cards, and color-hybrid cards) can be found at the game's official site at MagicTheGathering.com: The Great White Way, True Blue, In the Black, Seeing Red, It's Not Easy Being Green, Just the Artifacts, Ma'am, and Midas Touch. Jump up ^ "Card of the Day — July, 2006". Wizards of the Coast. July 27, 2006. Retrieved September 30, 2006. Black removal spells like Terror or Dark Banishing that could take out large-sized creatures historically had the drawback of not being able to affect other black creatures, and sometimes not artifact creatures either. Since then this drawback has been tweaked in many ways that no longer limit the cards to just non-black or non-artifact. Jump up ^ Brady Dommermuth (February 1, 2006). "Ask Wizards". Wizards of the Coast. Retrieved September 26, 2006. The particular issue of red's connection to earth and stone has another aspect as well, though. Red has and will continue to have earth/stone-themed cards. But green wants to be connected to earth as well, in the soil sense. So red gives up a few of its 'earth' cards for green's sake. Jump up ^ Mark Rosewater (August 18, 2003). "The Value of Pie". Wizards of the Coast. Retrieved September 30, 2006. Jump up ^ Knutson, Ted (September 9, 2006). "Magic Jargon". Wizards of the Coast. Retrieved July 24, 2009. Jump up ^ Moldenhauer-Salazar, Jay (March 23, 2000). "Mmmmmmmmmana...Five Rules For Avoiding Mana-Screw". starcitygames.com. Retrieved July 24, 2009. Jump up ^ Rosewater, Mark (February 23, 2004). "Starting Over". Wizards of the Coast. Retrieved February 11, 2007. Jump up ^ Smith, Bennie (April 27, 2006). "Nephilim Are Prismatastic!". Wizards of the Coast. Retrieved February 11, 2007. This article explains this mulligan rule in the Prismatic format, where it is called a "big deck" mulligan. The rule was added to all multiplayer Magic Online later, as explained in this official announcement. ^ Jump up to: a b Garfield, Richard (2012). Magic TV: Extra – Dr. Richard Garfield on “Luck Versus Skill” (Magic Cruise 2012) (Video) (Lecture). Seattle to Alaska cruise: www.channelfireball.com. Event occurs at July 10, 2012. Retrieved July 14, 2012. Jump up ^ Owens, Thomas S. (1996), Inside Collectible Card Games, p. 142. Jump up ^ "The Original Magic Rulebook". Wizards of the Coast. December 25, 2004. Retrieved June 14, 2009. Jump up ^ "Magic: The Gathering Comprehensive Rules" (PDF). The DCI. July 11, 2009. p. 45. Retrieved April 9, 2010. Jump up ^ "5-Color Magic". 5-color.com. Retrieved April 9, 2010. Jump up ^ unknown (September 27, 2013). "Standard Format Deck Construction". Wizards. Retrieved October 3, 2013. Jump up ^ . Wizards.com (2013-07-22). Retrieved on 2013-11-11. Jump up ^ Pro Tour Philadelphia Format Change : Daily MTG : Magic: The Gathering. Wizards.com (2011-08-12). Retrieved on 2013-07-24. Jump up ^ Avi Flamholz (July 13, 2004). "Money, Proxies, and the Must-Have List — A Case for Vintage". Starcitygames. Retrieved September 30, 2006. More and more, the larger U.S. Vintage tournaments are unsanctioned and allow growing numbers of proxies (usually five to ten, sometimes unlimited). In fact, I would be hard pressed to find a sanctioned Type 1 tournament (A.K.A. proxy-free) in the last year or so that drew more than thirty people (other than major conventions like GenCon). Jump up ^ "Gateway". Wizards of the Coast. 2008. Retrieved June 14, 2009. Jump up ^ "Friday Night Magic". Wizards of the Coast. June 2009. Retrieved June 14, 2009. ^ Jump up to: a b "Pro Tour". Wizards of the Coast. 2009. Retrieved June 14, 2009. ^ Jump up to: a b "2009 Magic: The Gathering Worlds Championships". Wizards of the Coast. 2009. Retrieved June 14, 2009. Jump up ^ "Grand Prix". Wizards of the Coast. 2009. Retrieved June 14, 2009. Jump up ^ "Oliver is the Modern Master in Las Vegas". Wizards of the Coast. June 23, 2013. Retrieved July 9, 2013. Jump up ^ "Gatherer". Wizards of the Coast. Retrieved March 6, 2014., the official Magic card database. Jump up ^ "Magic in Korean". Wizards of the Coast. July 23, 2011. Retrieved October 25, 2011. shows the return to 11 languages as of the late release of Magic 2011 in Korean. Jump up ^ Aaron Forsythe (February 23, 2009). "Recapturing the Magic with Magic 2010". Wizards of the Coast. Retrieved October 28, 2011. Jump up ^ "Card Face Redesign FAQ". Wizards of the Coast. January 20, 2003. Retrieved September 30, 2006. Jump up ^ Rosewater, Mark (July 5, 2004). "Where Have All The Demons Gone Today". Wizards of the Coast. Retrieved April 18, 2009. Jump up ^ Lynch, Dennis (March 20, 1997). "Two companies offer The Gathering, but only one is spellbinding". Chicago Tribune. p. 8. Jump up ^ Langley, Ryan (July 23, 2009). "XBLA: Magic: The Gathering Sells 170,000 in 5 Weeks". Gamer Bytes. Retrieved August 10, 2009. Jump up ^ "Hasbro, Inc., and IDW Publishing to launch Magic: The Gathering Comic Books". IDW Publishing. September 1, 2011. Retrieved May 2, 2012. Jump up ^ "Preview: Magic: The Gathering #1". Comic Book Resources. February 1, 2012. Retrieved May 2, 2012. Jump up ^ "Magic: The Gathering – Arena of the Planeswalkers". boardgamegeek. 2015. Retrieved July 13, 2015. Jump up ^ Havic The Bothering? Sun, August 2, 1998 20:15:53, e-mail from a Peter Gray of PGI Limited posted on Wizards of the Cost Website, http://oracle.wizards.com/scripts/wa.exe?A2=ind9808a&L=spellfire-l&D=1&O=D&P=9286 Jump up ^ Havic: The Bothering Skool Daze by Peter L. Gray, Sist-Airs, Vinyl Vineshtein Cards, 60 Pages, Published 1998, 1st Edition, starter decks rule card printed by PGI Limited, 30 Shorhaven Rd., Norwalk, CT 06855, ISBN 0966700503 Jump up ^ "Most Expensive Magic: The Gathering Card". Most Expensive Journal. March 17, 2008. Retrieved December 6, 2009. Jump up ^ "Official Reprint Policy". Wizards of the Coast. 2002. Retrieved April 18, 2009. Jump up ^ Luke Plunkett. "Rare Magic Card Sells For $27,000". Kotaku. Gawker Media. Retrieved May 9, 2015. Jump up ^ "EZproxy Login - SUNY College of Environmental Science & Forestry Library Remote Access" (PDF). Retrieved May 9, 2015. Jump up ^ Bosch, R. A. (2000). "Optimal Card-Collecting Strategies for Magic: The Gathering". The College Mathematics Journal 31: 15. doi:10.2307/2687095. JSTOR 2687095. edit Jump up ^ . doi:10.2307/117554 (inactive 2015-06-16). JSTOR 117554. Missing or empty |title= (help) edit Jump up ^ . doi:10.2307/3217179 (inactive 2015-06-16). JSTOR 3217179. Missing or empty |title= (help) edit Jump up ^ Martin, B. A. S. (2004). "Using the Imagination: Consumer Evoking and Thematizing of the Fantastic Imaginary". Journal of Consumer Research 31: 136. doi:10.1086/383430. edit Jump up ^ "StarCityGames.com - Counterfeit Cards". StarCityGames.com. Retrieved May 9, 2015. Jump up ^ http://www.wizards.com/Magic/Magazine/Article.aspx?x=mtg/daily/feature/281 Jump up ^ Jarvis, Jeremy (January 1, 2007). "Ask Wizards". Wizards of the Coast. Retrieved April 21, 2007. In the ‘old days’, art descriptions were vague suggestions of images... Neither continuity nor the idea of worldbuilding (creating distinctive and unique worlds and settings) would become issues until some time later. Jump up ^ Buehler, Randy (November 21, 2003). "Flight of Fancy". Wizards of the Coast. Retrieved April 21, 2007. Jump up ^ Cavotta, Matt (September 7, 2005). "The Magic Style Guide". Wizards of the Coast. Retrieved April 21, 2007. Jump up ^ Chase, Elaine (June 17, 2002). "Ask Wizards". Wizards of the Coast. Retrieved February 15, 2007. While we don't like to completely rule anything out, there currently are not any plans to repeat the alternate art within a set model. The main reason is that most players recognize cards through the artwork. Jump up ^ Rosewater, Mark (April 26, 2004). "Collecting My Thoughts". Wizards of the Coast. Retrieved June 30, 2006. Jump up ^ "Chinese Skeleton". Wizards of the Coast. March 13, 2002. Retrieved April 18, 2009. Jump up ^ "Alternate Chinese Art in Ravnica Part 1". Wizards of the Coast. November 14, 2005. Retrieved April 18, 2009. Jump up ^ "And Carnage Shall Follow". Wizards of the Coast. Retrieved March 29, 2010. Jump up ^ "Announcing Scars of Mirrodin". Wizards of the Coast. Retrieved March 29, 2010. ^ Jump up to: a b Dragon's Maze Player's Guide Jump up ^ Dragons of Tarkir trailer. YouTube. March 6, 2015. Retrieved May 9, 2015. Jump up ^ Rex Dart. "A Brief History of Planewalkers in Competitive Magic". Retrieved 3 February 2014. Jump up ^ "Ajani Vengeant". Retrieved 3 February 2014. Jump up ^ Wil Blanks. "Planeswalker Profile: Chandra Nalaar". Retrieved 3 February 2014. Jump up ^ Core Set 2013 Learn to Play Guide Jump up ^ "Garruk Wildspeaker". Retrieved 3 February 2014. Jump up ^ "Karn Liberated". Retrieved 4 February 2014. Jump up ^ "Liliana Vess". Retrieved 3 February 2014. ^ Jump up to: a b "Urza's Saga Backstory". Retrieved 4 February 2014. Jump up ^ "Nicol Bolas". Retrieved 5 February 2014. Jump up ^ "Yawgmoth of Dominaria". Retrieved 19 December 2014. Jump up ^ Martin, Brett A. S. (2004), "Using the Imagination: Consumer Evoking and Thematizing of the Fantastic Imaginary", Journal of Consumer Research, 31 (June), 136-149. Jump up ^ Lucking-Reiley, D. (1999), "Using Field Experiments to Test Equivalence between Auction Formats: Magic on the Internet", American Economic Review, Vol. 89, No. 5, 1063-1080. Jump up ^ Bosch, R.A. (2000), "Optimal Card-Collecting Strategies for Magic: The Gathering", College Mathematics Journal, Vol. 31, No. 1, 15-21. Jump up ^ "Magic: the Gathering is Turing Complete". Retrieved January 9, 2013. Jump up ^ Trey Parker. "Cock Magic". Retrieved May 9, 2015. Jump up ^ Starcraft cheat code that references Magic: The Gathering. Jump up ^ "Magic references in pop culture? - Magic Online Trading League Bulletin Board". Retrieved May 9, 2015.
Wednesday, 29 April 2015
1.Professors Nightmare This famous rope trick relies on a technique that is the basis of lots of rope tricks. And Professors Nightmare is often performed by pros in their stand-up and walk-around shows. In the trick, three ropes of different length are stretched to create three ropes of equal size, and stretched again to return to their original lengths. This one is available for under five dollars, and the trick is explained in lots of magic books so you may make your own from ordinary rope.2. The Color Changing Handkerchief This classic of magic is also known as the chameleon hanks. The magician places a red handkerchief in his or her hand, and when its pushed out the other side, it emerges a different color. I particularly like this trick because while it relies on a gimmick, it requires you to learn to work with your hands. Ads Top SIP Investment plans www.myuniverse.co.in/ZipSip Compare & invest in best Funds. 0 paper work. Start today. Start Download www.fromdoctopdf.com Convert Any File to a PDF - Word, Jpeg, Gif, Rtf - Free Download! And done right, its absolutely baffling to spectators. You may purchase versions of this trick for around ten dollars.3. Svengali Deck This gimmicked card deck allows a magician to quickly find a selected card and perform other impressive effects. At the end of the trick, it looks as if the entire deck has turned into the selected card. The effect is stunning and easy to learn and perform. Svengali decks may be purchased at any magic store for between five and fifteen dollars.4. Stripper Deck Another gimmicked deck of cards, a Stripper Deck lets beginners quickly find selected cards that have been lost in the deck and perform other effects. Stripper decks may be purchased for anywhere between five and fifteen dollars.5. Cups & Balls While professional magicians perform stunning, advanced versions of this magic classic--many consider it the worlds oldest recorded magic trick--beginning magicians can purchase simple, pre-packaged versions that result in a mystifying sequence. In its simplest version, a magician brings out three cups and balls and somehow makes the balls pass through the cups.Compared to the other tricks here, this one requires the most time to learn as there is a set sequence to memorize. But the results will be satisfying to beginners and their audiences. Inexpensive plastic versions may be purchased for less than five dollars. Pro versions with metal cups can cost hundreds of dollars.
Tuesday, 28 April 2015
Magic or sorcery is an attempt to understand and exploit supernatural forces, using rituals, symbols, actions, gestures and language. Modern Western magicians generally state magic's primary purpose to be personal spiritual growth. Modern theories of magic may see it as the result of a universal sympathy where some act can produce a result somewhere else, or as a collaboration with spirits who cause the effect. The belief in and the practice of magic has been present since the earliest human cultures and continues to have an important spiritual, religious and medicinal role in many cultures today. Magic is often viewed with suspicion by the wider community, and is sometimes practiced in isolation and secrecy. The concept of magic as a category separate from religion was first widely recognized in Judaism, which derided as magic the practices of pagan worship designed to appease and receive benefits from gods other than Yahweh. Hanegraaff argues that magic is in fact "a largely polemical concept that has been used by various religious interest groups either to describe their own religious beliefs and practices or – more frequently – to discredit those of others." Magical rituals are the precisely defined actions (including speech) used to work magic. Magic often utilizes symbols that are thought to be intrinsically efficacious. The performance of magic almost always involves the use of language. Another potential source of the power of words is their secrecy and exclusivity. The possession of magical knowledge alone may be insufficient to grant magical power; often a person must also possess certain magical objects, traits or life experiences in order to be a magician. In non-scientific societies, perceived magical attack is an idea sometimes employed to explain personal or societal misfortune. The foremost perspectives on magic in anthropology are functionalist, symbolist and intellectualist. The term "magical thinking" in anthropology, psychology, and cognitive science refers to causal reasoning often involving associative thinking, such as the perceived ability of the mind to affect the physical world (see the philosophical problem of mental causation) or correlation mistaken for materialist causation. Psychological theories treat magic as a personal phenomenon intended to meet individual needs, as opposed to a social phenomenon serving a collective purpose. The belief that one can influence supernatural powers, by prayer, sacrifice or invocation goes back to prehistoric religion and is present in early records such as the Egyptian pyramid texts and the Indian Vedas. Magic and religion are categories of beliefs and systems of knowledge used within societies. Appearing in various tribal peoples from Aboriginal Australia and Māori New Zealand to the Amazon, African savannah, and pagan Europe, some form of shamanic contact with the spirit world seems to be nearly universal in the early development of human communities. In general, the 20th century has seen a sharp rise in public interest in various forms of magical practice, and the foundation of a number of traditions and organisations, ranging from the distinctly religious to the philosophical
The Esoteric Theory of Magic What is Magic? To paraphrase George Lucas, Magic is an energy field that surrounds all living things. It’s created by life and is the raw source of consciousness. Like any form of energy, it can be tapped to perform a variety of functions. However, unlike, say, electricity, Magic has a will of its own, and can be unpredictable at times. Because Magic is chaotic, those who would use it have to be careful that the Magic doesn’t overwhelm them. The human body can conduct electricity safely, but if you’re not careful, the amperage will go to high and you’ll be killed. Magic is similar; draw on too much too fast and it will burn you to a crisp. Also like electricity, Magic requires some means of insulation to keep it from running rampant through a wizard. This is where the concept of spells and enchantments comes from. Magic also requires will to shape and control, just as electricity requires wires and transistors to be of any real use. Randomly calling upon Magic would be little different than holding up a metal rod in a lightning storm. Talismans: Spell, Hex, Staff and Wand As mentioned above, Magic requires some sort of insulation for the wizard using it or it’ll just go wherever it wishes. It doesn’t “ground out”, it simply forms chaotic patterns if not bound into a certain “shape” via a wizard’s will and use of talismans. The most common form of talisman is the spell, a simple shaping of words that helps insulate the wizard’s will from the raw magic. The words don’t really matter – it’s the intent of the words. Unfortunately, the more common the word, the more mundane, the less useful it is. Like thin plastic insulation on a wire, if too much juice is pumped through, the power can jump right through. This is why most spells are written in languages not normally used in conversation. Latin is a classic, of course, but wizards can create spells in other ancient tongues or even make up words that have meaning to them. Some wizards even use Harry Potter spells! So long as it helps form the image of what the magus wants and is not common enough to leak the power through to the rest of their thoughts, the spell will function just fine. Another common talisman is the wizard’s staff or wand. These are just focusing tools, like the words of a spell, but because they are actual physical objects, they provide a more stable conduit for the Magic to pass through. Much like the words of a spell, the more uncommon the device, the better it is at focusing Magic. A plain wooden staff will not be as effective as a staff carved with runes, topped with a crystal and festooned with charms. In fact, finding an old wizard who does use a simple staff means you’re probably in the presence of a master who can shape his will without such props. Wands are just like the staff, just smaller and easier to carry, and since they can be highly decorated, wizards will often create different wands for different effects. A wand of fireballs, for example, might be made of magnesium, etched with fire runes, and capped with a ruby. Such a wand could be used to conjure a blizzard, but doing so would be much harder since the talisman is not attuned to the effect, sort of like using the wrong kind of wire or circuitry to make electricity work. Magic circles are a special sort of talisman. They can be invested with power and used to protect anyone inside, or trap something within their walls. They work more like a battery, storing a charge and releasing it over time. Circles are one of the most basic of Magical constructs and possibly the most useful, as they can also be infused with various effects, such as a circle of relaxation, or a circle truth that forces anyone within it to speak honestly. Magic in Practice The act of casting a spell or hex is a tapping of the Magic. The more power that’s needed for the effect, the more draining it will be on the caster. Wizards are limited not just by their imaginations, but by their strength of will and endurance. Like receiving a powerful electric shock, casting a spell can leave a wizard exhausted or in pain. If the talismans used in the spell are not sufficient, Magical energy can spill over, harming the wizard or those around him. Working with Magic is not dissimilar to playing with live power lines. It’s something only a trained professional who knows what they are doing should attempt. Dabblers in the Art are like children poking at an electrical outlet with a fork. They can easily get themselves killed and may burn the whole house down around them. True wizards are trained in one of the Arts: Thaumaturgy – magic invoking the four elements Oculaturgy – illusions and mental effects Hematurgy – healing and blood magic Chronoturgy – time magic, very unpredictable Phasmaturgy – ghost magic, not to be confused with necromancy There are plenty of sub-schools of each of the above, and most wizards specialize in one school while learning the basics of all. All wizards thus trained are beholden to the Panmagos Quorum, or the All-Wizards Council, if you prefer. The PQ is the highest authority among wizards, and they do their best to police the dabblers so they don’t cause too much trouble. The Rules of Magic With Magic such an unlimited source of power, it may seem odd that wizards must follow rules. However, the rules, enforced by the PQ and generally agreed upon by all wizards, are in place for a valid reason. Those who would break the rules, who seek to rebel, would expose wizards to the world and likely cause the end of human Magic. The rules are in place to keep the wizards safe, not to hold them back. These are the Rules of Magic, passed down for millennia: Kill not with Magic. Force thy Will on none save thyself. Turn no spell upon thy master, save to defend thy own life. Aid those in Magic who know not the Arts. Steal not from thy fellow Wizards Obey the Will of the Magic, should it come to ye. The first one is kind of self-evident. Don’t use Magic, the product of life, to snuff out a life. There’s no self-defense caveat either, but the rule specifically means using pure Magic to kill. Making a tree fall on someone is allowed, but blasting them with an eldritch bolt is not. Note that non-humans are exempt; a wizard may use Magic with impunity on creatures not of the Mortal Realm. The last rule is somewhat strange, but it means that if the Will of Magic itself ever possesses a wizard, which has actually been known to happen, the wizard should merely allow the Magic to do what it will. It’s not unlike the concept of allowing the Holy Spirit to enter ones body, if any wizard actually believed in God. Those who break the rules are severely punished by the PQ. That is not to say that the PQ created the laws or is technically responsible for enforcing them, but the council has always served that function since its formation. Talent and Study The one important thing about Magic is that anyone can learn to use it. It is not the purview of a chosen few, but conversely there are not many who ever do learn to tap the energy source. Most people do work a bit of Magic, whether they know it or not; most often it’s passed off as luck or coincidence. However, with training anyone could learn to be a wizard. Magic, though, is like music; some people have a natural talent for it. You can sit anyone in front of a piano and they can, eventually, learn to play, but only the truly talented will ever go on to write their own cantatas. Magic is similar, but imagine that there are only a handful of pianos in the world. Because it’s rare for a wizard to find a talented new student, Magic remains the domain of those who would dedicate their lives to the Art, and dabblers are highly discouraged. There are very good reasons that those with talent should be trained if they are found. Most importantly, Magic can become an addiction. While not truly physically addictive, it can be very difficult to resist the desire to use Magic to gather more and more personal power or wealth. It is for this reason that elder wizards obey the rule to train those they come upon with the talent, to help prevent Magical disasters. Conclusion Magic is, like any other source of power, a temptation. Wizards are often tempted to use greater and greater amounts of Magic until eventually it overwhelms them and burns them out, or worse, turns them into a Wraith. Wraiths are like Magic vampires, draining the life essence out of living things around them. Most wizards learn to temper their desire for greater power with the danger inherent in using more raw energy. True masters learn to control Magic with subtlety and grace, using Magic’s own natural currents to perform what they want. They are able to perform near miracles without harnessing a tenth of the power a lesser trained wizard would use. This is the great truth of Magic; the more one learns about it, the less they require of it to make their will a reality. In the end, all that matters is skill and desire.